Half Tide, Half Soil
Chuang Chih-Wei
The Bengang community is nestled between the sea and the fields of Xinwu, Taoyuan. Here, Hakka immigrants traditionally went to sea during the farming off-season and planted rice during the flood season, their rhythm of life shifting repeatedly between the tides and the agricultural calendar.
Extending along the walkway beside Tianhou Temple, this work utilizes existing railings to install vertical panels, creating a dual-directional visual installation. Those walking into the community see images of rice paddies and the earthy tones of agriculture; those walking outward see fishing nets and the waves of oceanic memory. The front of the panels presents a hybrid state where the two overlap—farming and fishing are never a choice between one or the other, but coexist within the same individual. Developed from the collected memories of community residents, these images preserve the fading texture of this "half-farming, half-fishing" way of life.
- Artwork No.S08
- Dimensions15x 1.5 x1 (m)
- Note本作品與桃園市新屋區笨港社區發展協會共同合作完成
Chuang Chih-Wei
Chuang Chih-Wei is a new media artist whose practice spans interactive installations, light art, and participatory projects. His work has long focused on the themes of “penetration” and “interweaving,” utilizing the characteristics of light and materials to create spatial installations that explore the interactive relationship between light, people, and space. Emphasizing bodily participation and dialogue with local culture, his recent practice has gradually shifted from individual installations toward participatory projects, investigating how art can move beyond the institutional framework of museums into more open and collaborative forms of engagement.
He graduated from the Graduate Institute of New Media Art at Taipei National University of the Arts and the Graduate Institute of Architecture at National Yang Ming Chiao Tung University, and is currently pursuing a PhD in Contemporary Visual Culture at National Taiwan University of Arts. He received the Kaohsiung Award in 2013 and the Taipei Art Award in 2015, and was selected for an artist residency at Tokyo Wonder Site. From 2019 to 2020, he served as an artist-in-residence at the National Taichung Theater. His works have been exhibited internationally, including at the Taiwan Biennial, the PyeongChang Biennale in Korea, and Roppongi Art Night in Tokyo. He has also collaborated across disciplines with brands and institutions such as CMP Art Museum and Shiseido. He currently serves as a part-time lecturer in the Department of New Media Art at Taipei National University of the Arts.
The Bengang Community Development Association in Xinwu District, Taoyuan, is rooted in a traditional coastal Hakka fishing village and carries the local history and spiritual culture of the century-old “Kanglang Harbor.” Guided by the core values of “local care and shared prosperity,” the association actively operates a community care center that provides meal services, health promotion activities, and caring home visits for local elders. At the same time, the association brings together volunteers to engage in marine environmental protection, the preservation of Hakka fishing culture, and disaster preparedness advocacy. Upholding a spirit of mutual support, the association is committed to building a sustainable and people-centered community grounded in localized welfare and strong neighborhood connections.
- 作品點位桃園縣新屋區笨港社區,天后宮旁步道金屬欄杆