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Saltwater Atlas Image 1
Saltwater Atlas Image 2

Saltwater Atlas

Elena Redaelli、Karin van der Moleno

Saltwater Atlas is a collaborative installation by Karin van der Molen and Elena Redaelli that approaches the Pearl Coast as a dynamic environment shaped through ongoing interaction. The work does not frame the landscape as a fixed image. It attends instead to the ways it is continuously formed through use, negotiation, and ecological change.

The installation takes the form of a boat-shaped field of upright forearm–hands, cast in matte white with slight irregularities that retain the presence of the body. Each hand grips a red marine rope. The rope extends toward coastal anchoring points, creating a system of tension that holds the work in relation to its surroundings. This tension remains visible, allowing the installation to register forces rather than resolve them into a stable form.

The work reads as an atlas constructed through lines. These lines emerge from gestures of holding and securing, while also pointing to how water operates as a shared resource and a space shaped by restriction. Along the Pearl Coast, where conservation and industrial activity overlap, the installation reflects on how access is negotiated and how presence is regulated.

Art functions here as a method grounded in embodied perception. The repetition of similar yet distinct hands draws attention to distributed labour, where each gesture exists in relation to others. The rope becomes a connective tissue that gathers these gestures into a shared field shaped by interdependence.

Participation is integral to the project. Workshops invite local participants to cast their hands and contribute gestures drawn from daily practices. Thus the work to remain situated within lived experience and carries forward the knowledge embedded in those gestures.

  • Artwork No.S09
  • Dimensions10 x 3.5 (m)
Elena Redaelli、Karin van der Moleno
Artist

Elena Redaelli、Karin van der Moleno

Karin van der Molen and Elena Redaelli form a collaborative artistic partnership grounded in a shared exploration of ecology, materiality, and the layered social and environmental contexts of place. Working across sculpture and site-specific installation, their practice brings together ephemeral gestures and semi-permanent structures, creating works that are responsive to both the physical characteristics and cultural histories of the environments they inhabit. Each project emerges through careful observation, research, and dialogue with the site, allowing the work to evolve organically over time.

Central to their collaboration is a commitment to locally sourced and reused materials. By engaging with what is immediately available, they emphasize processes of transformation and sustainability while fostering meaningful exchanges with local communities. Their approach often involves participatory elements, inviting others into the making process and encouraging shared authorship. This creates a dynamic interplay between artist, audience, and environment, where each contributes to the unfolding narrative of the work.

Their practice is rooted in a sensitivity to the relationships between human and nonhuman worlds, as well as the intersections of nature and society. Through this lens, their installations become spaces of reflection, where material, memory, and environment converge. Karin’s background in Human Rights and her experience in founding artist collectives bring a strong socially engaged perspective, enriching the collaborative process. This complements Elena’s focus on material experimentation and environmental storytelling.

Together, they weave historical, ecological, and communal threads into immersive experiences that highlight interdependence, encouraging a deeper awareness of the connections between people, place, and the planet.

  • 作品點位海洋客家牽罟文化館對面空地