The Intertidal In-between echoes the arc of a fishing net as it spreads under tension during the traditional qiān gǔ seine fishing practice of Taoyuan, and evokes the collective memory of people pulling together in unison toward the sea. The work combines DLT curved timber construction with a sloping landscape to translate the topographic character of the western coast's intertidal zone, shaping a spatial field that can be traversed, dwelt within, and perceived. Moving through the work, visitors experience a transition from high to low, from control to yielding — their bodily rhythm shifting in turn, inviting them to feel how tides and terrain shape movement. The construction employs digital fabrication and reversible assembly strategies to produce a minimally invasive curved surface structure, in response to the sensitive environmental conditions of the intertidal zone. Rather than asserting itself as an object that dominates the site, the work lies close to the ground and merges into the landscape — transforming the coast from a background to be looked at into a public space to be entered again and again, allowing people to reunderstand, amid the shifting of wind, light, water level, and time, the dynamic relationship co-constructed between people and nature.